61 pt oetoepml e s yimn cbl uodl se, sw hs pi cihr i taurael t hp ea i nwt ai nygs tahnedy cs iognnni �eiccta nwt i t hdni faf et ur er en.cHe so w be veet wr, et he ne r e twh eesr ee tmr ai sdsi itoi onna ar il ebs ehl iaedf st oa n� i dn dC aa twh oa lyi ct ob ienl it ee fgsr, ast oe tshperseeadbeClaiethf osliycstfeamitsh. in order to better 19 The in�luence of CA abtohroi gl iicni as ml A ou ns t rtahl iea nssp i irsi t ua a lc opma pi nl et ixn ga nodf controversial topic. Introduction of new religious symbols and meanings. C h rFiisrtsi talny, sAybmo br ioglisn, asl t po er ioeps l, e arnedc emi veeadn ni negws through Catholicism. 20 Aboriginal painters wa nedr ei mi nas gpei rreyd, wb yh itchhe sgeanveewt hreeml i g iaobuus ni dd ea anst mA baot er irgi ai nl af lo ra rtthi setisr hpaavi ne t ii nn cg lsu. dFeodr Ce hx ar ims tpi al en, rset ol irgiieosuisn tmo otthi fesi rl iwkeo rckrso. s s e s a n d b i b l i c a l 21 To spread and sa hn adr et hteh eiimr puancdt e rosf t aCnhdriins gt i aonf Cf aai tt hh o, l si coi ms me Ar ebl iogriiogui ns a tl h e mp aeidn t eprasi n t i ns tgasr. t eHde n c cer, etahtei ns ge rneelwi g iboruesa kt thhermo ue gdh sc ri enaitni odni gs e nh oa vu es pbaei cnot imn ge ainndlathearvienidni�gleuneonucesdpathinetbinrge.adth of themes Adoption of new materials and artistic techniques. e in x c p Sl o u e s d c e o in d n g d l c y t a , o n v A a n b s, e o c w r o ig l i o n u c a r r l s e , a a t p i n v a d e in b te r m r u s s e h d e w iu s e m b r y e s Catholic missionaries. 22 Additionally, they cl iokne t rci bh ui atreods c uEruor oapneda n l i naer at irs t ipce r ms peetchtoi vdes. Tt oh ee xs ep egraivmeeinntd wi g ietnhosut sy laerst iostths etrh et hfar ne etdhoemi r cv ui bsrt ao nmt a, rrye aol ins teisc. , Ta nh de y t hdreevee- ldoi pmeedn smi oonrael works of art. 23 Therefore, the addition of ti mh epsreo vferde sAhb ot or ioglisn aal nAdu s mt r aaltiearni aalrst . g r e a t l y o A n u sT t o t r h a s e l u i a m s n p s u i rp i i , t s u th a m e l u i p n lt a � i l i f u n a e c ti e n n t c g e e d o . o f f I C t A at n b h o o o t r l ii g c o i i n n sm a ly l ce hl eamn ge enst s o tf hi ne d i geexnporue ss sai rotn, b u ft oarlms os b r ianngds nteecwhnriqeuliegsiotuosincdoingnenootautsioanrst. and creative TwRoeS�pleicrtitiounal TornadtihtieonEsxperiences of the c u lCt uorme b iwn ii nt hg tthheei r Ct rhardi si ttiioa nn a l f abiet hl i ,e f ss oamn de As pbior irtiug ai nl apla i n At i un sgtsr tahl iaatnrse � l ehc at vt he e i r curne iaqt eude aanndd mtheeanHinolgyfuSlpeixrpitr.essions of God, Jesus, 24 I was fortunate to ct roami nei n gt o pAr uo sg trraaml i a (tOoT Pd)o, aa nn d o vIe r swe aa ss assigned to Alice Spring and Santa Terresa 20 Ganter, Australian National University Press, and Aboriginal History Inc., The Contest for Aboriginal Souls, 3. 22 Ganter, Australian National University Press, and Aboriginal History Inc., The Contest for Aboriginal Souls, 4. 23 Charlesworth, Aboriginal Religions in Australia, 166. 19 Finley, Aboriginal Art of Australia, 42. 21 Charlesworth, Aboriginal Religions in Australia, 161. 24 Ganter, Australian National University Press, and Aboriginal History Inc., The Contest for Aboriginal Souls, 12.
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