62 fCoart hmoyl i cp as ps ti or irtaul awl i toyr kc ef no tr r ae yi ne aSra. nTtha eTr ee r iess aa wa nhde rdei fAf ebroerni gt i ns ha al pweosmi ne nt pr aadi ni tti ot hnea lc rwo as ys .e sI wc l eeannt i tnhge, rde rtivoi nhge l pt h eAmb o rbiagci nkaal nwdo mf oer tnh f ot or ts ho em ec e nc thraen coensc e t oa wt ael ke k . wSi ot h, I Ahbaovrei g ihnaadl ws hoamp eesn. Aa tb ot huat t t thi emi re , pI alienatri nn ge do an l do itf faebr oe nu tt tt hh ee ii rr cpual st us iroen, baenl ide f sc ,r ea an tdi vai rt yt ,. aTnhde a Cl saot hI of el il ct Aa nbdo rliogvi nea lf owr oJ ems euns ienx pt hr eesi rs eudn itqhueei r wf aaiytsh, ec os pl oeucri as l, l ys y mb yb oul ss, i nagn dt hpeai rt t eor nwsn t ot o tpelma cse, Jeensvuisronminent ,tshheoirwcaoswinng theciurlctuornenectainond with God, nature, and community.25 In the pa lrsooc eesxsp r oe fs s epda i tnht ei ni rg , o wA nb ofreiegliinnagls wo folmo veen, tEraucsht , wg roartki t urde e� l, eac nt sd tphreaiyr e pr et roswo anradl ist yJ e sa un sd. cuunldt ue rras tl a nc hdai nragc tear insdt i c s ,reassp ewc te l l faosr t htehier Cmhyr oi swt i na nc rfoa si tsh, .bIu wt uonuflodr tl iuknea tt oe l yt r, yt hteor ed wr aaws ti nh e r ut hl ee o n lcyo wmommuenni t yc .o u l dT hdroo tuhgeh d r atwh ei ns ge ea xr tpi es triice nt cael esn, t Is on fo tt hoen Cl ya tahpopl irce cAiba toerdi g itnhael puneodpelres,tanbduint g aolsfo thgeairineldifesatyleds eeapnedr vuanlfuoersg.eIt tt ha bi nl ek iet xwpaesr iae vnecrey, mwehai cnhi n gafl ul ol wa ne dd mb eet wteoe ns edei f f et hr een te xc cuhl taunrgees , aanndd aml s eoagnai nv ge mp aei nat idnege p oe nr a nt hd eb r coraodsesre su n di ne r st thaeni rd i nogwonf spirituality. Conclusion se px pi Trrioe t uss a c e l o s n p A c a l b i u n o d t r i e i n g , g in A a i l s u s c t u a r n l a t u li r a a e n r, t b f e A o l b i r e o m f r s i , g t ai h n n a a d t l wr eavyesr eonf cl ei f e a. Intdr eg� lreacttist uIdned i gf oe rn onuast pu er er s oannsd’ Greosdpso, nsiabsilitywellforas cotmhemirunictiaerse aanndd fparme si el i ne tse. dT h rtohue g hhti hs ti os rei es ss a y,o If h aAvbeo br irgi ien� al yl s tr p a i d ri i t t u io a n l al ar m t . ot I ifs h a a n ve d s t y h m en bol i s ntr u o s d e u d ce in d Ae xbporrei gs si ni oanl ao rf t ,t hwe ihr i cshp i rsiht uo awl bae l ifeofrsma nodf ct huel t uh ri satlotrrya doift iCoantsh. o lNi ceixs tm, I i nh aAvuesdt reaslci ar i abne dd iFtus r t ihme rp, a Ic t h aovne Ae xbpolroi rgei nd a lt h es p si ri imt ui laal r i tai rets. aTnr adddi tiifof enrse. nFci ne sa lbl ye, tIwheaevne trhee� l et cwt oe dS op ni r iht uo wa l tcho emtpwl eoms pe inrti t ue aa lc thr a odti ht ieorn. s I ct a ins c oi me xpi os tr taanndt t p h e a o t pl t e he c C o a e t x h i o st lic a C n h d urc c h om an p d lem A e b n o t rigi o n n a e l ar enloi gt hi oeur s i An u sbtur ial dl i ai n, gd eas pmi t ue l tdi ci fuf el truernacl e sa ni dn cTuhlet ur erfeosr, e b, e pl i ee fosp, l ea n ds hsopuilrdi t ucahl epr iasihn t i na gnsd. rceosmpmecut nicthatision pahnednionmteegnraotniono. f mutual 25 Lowish, RethinkingAustralia's Art History, 82.
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